Welcome to the 2013 A to Z Challenge!
This year, I’m
focusing on two themes: Emotions and
grammar,
depending on which
letter we’re on each day.
I’ll be sharing mostly what I’ve learned about writing emotion into a novel, but I’ll also be throwing in a few key grammar lessons, pet peeves I’ve picked up while working as an editor.
Today’s an emotion day!
I’ll be sharing mostly what I’ve learned about writing emotion into a novel, but I’ll also be throwing in a few key grammar lessons, pet peeves I’ve picked up while working as an editor.
Today’s an emotion day!
__________
F is for forgiveness: the act of giving pardon for or remission of
an offense or debt; to absolve.
I was going to take the easy way out today and discuss the
emotion of fear, but when I completed my first novel, The
Mistaken, a strong and undeniable theme emerged, and that theme was
forgiveness. Seems I have a real issue
with it, having quite a few people in my life who’ve hurt me in unspeakable
ways. And I’ve had to deal with not
being forgiven myself, something which has plagued me for over twenty-eight
years. So I think I have a keen
understanding of it.
It’s not an easily believable emotion to write about. Forgiveness is something that typically comes
slowly, over a relatively extended period of time. In my novel, the protagonist cannot come to
terms with the egregious consequences a stranger’s reckless act has had upon
his life—the death of his pregnant wife.
He spends a great deal of time conspiring to get even. He doesn’t begin to heal until he realizes
that many of the consequences he’s suffered are due to his own shortcomings,
but by that point, it’s too late, and he’s set into motion a horrifying chain
of events.
And that, it seems, is the key to forgiveness, to understand
not only what instigated the perpetrator to offend, but that she, the offender,
is like anybody else, and, most especially, that she is like us. So writing about forgiveness must include the
entire process: knowing all the facts
and how they unfolded, understanding the motivation behind it, and acknowledging
the victim's own culpability.
This doesn’t happen easily or quickly. People must be allowed their anger and
resentment first. Then they can be made
to see that things are not always as they appear, or are as simple as black and
white. When the victim can see the enemy
as human, with all the frailties that encompasses, only then can he
forgive. There must be an earnest sensitivity
to the very offense she committed, as well as the offender, and her victim. Otherwise, the act of forgiving feels far-fetched and unbelievable.
The act of forgiveness, or his inability to do so, often
reveals qualities about the character, his substance, his deficiencies, his
level of sincerity, and authenticity, all things the character must eventually
be attuned to himself before he can ever move forward.